My Little Composer

Years ago my father sometimes held revivals in small churches in southern Illinois.  Many of the churches either had no piano player (this was before the era of drums and guitars in worship) or a very untalented player.  Since he felt music was important for sharing the gospel, he came up with a solution.

He would give his daughter piano lessons and she could go with him to play at these services.

I was excited to learn to play.  Unlike most piano students who start with music books like “John Thompson’s Modern Course for the Piano,” my book was an old hymnbook.

 

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The first song I learned to play was an OLD hymn called “When I See the Blood.”  It was written in the key of “C” with no sharps or flats and a good place to start for a beginner where I could just play on the “white” keys.

After 10 months of lessons I was quite adept at playing all the songs in the hymnbook.  My teacher said I was the best student she had ever had and she wanted to teach me classical music.  I was so excited as I started this course of study.

Shortly after a few lessons in this new genre, my father felt learning classical music was money wasted.  He wanted someone to play in church.  Who needed to know how to play Bach or Beethoven?

Although I had no more lessons as a child, I continued to study on my own and took more lessons as an adult.

My music has been such a blessing to me – and I hope to others.

When I have experienced great “highs” and great “lows” in my life, music has been a release.  I can play lively show tunes or songs of praise in times of great joy.  When I have experienced times of distress or sorrow, music has also been a place of comfort.

Now I am enjoying one of the greatest joys of my musical experience.  My little granddaughter has a love for music and for the piano.  A few months ago I started giving her lessons.  Her parents say they never have to tell her practice – she loves to play and needs no prompting to play.

What is so sweet – last week she decided to become a composer.  She has a lot of stuffed animals she calls the wolf pack and she is writing a song for them.  “The Theme of the Wolf Pack.”  Not only is she writing the music – she also has words to go with the music.

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She is not quite ready to draw the lines and the actual notes so she has just written the letter of the note and has specified in some cases if it is the right or the left hand that plays the note.  She also has a repeat bar at the end so you can go back and play for the second verse she has yet to write.

It thrills this old grandma’s heart to be able to share this love of music and pass on a little of my own knowledge to the next generation.

Who knows?  Maybe some day she will write songs of worship for her generation to praise the Lord!

 

 

 

 

 

To Hymn or not to Hymn

Growing up in church we always sang hymns from a large hymn book that was placed in holders on the back of the church pew.  Many times there would also be a Bible there.  The “song leader” would announce the page number before each song and we would all turn to that page and sing from the hymn books which had both the words and the music printed for us.  (In some churches the page numbers would be listed in the bulletin or posted on a sign at the front of the church.)

Depending on the local church, the singing might be accompanied by a pipe organ, an electric organ and piano and maybe even a few guitars or drums.

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This was how worship was supposed to be done.

Slowly over the years in the churches I attended the organ became a thing of the past and the piano was replaced by the keyboard.  A few guitars became many guitars.  Song leaders were replaced by worship teams.  Hymn books became obsolete as the words were projected on a screen from an overhead projector.  Finally, the hymns I grew up with were replaced by what we call “contemporary music.”

Gone were the days of the great song writers like Charles and John Wesley, Fanny Crosby and Isaac Watts.  This was now the time of Chris Tomlin, Michael W Smith, Amy Grant and Matthew West.

And the music war began.

On one side was the younger generation who loved the new songs and the new technology which made hymn books seem outdated.  On the other side was the older generation who treasured the songs they had grown up with and loved singing with hymn books that included the music.

Arguments went back and forth.  Some said we needed to use music that would reach the younger generation and keep them in the church, or in some cases, bring them back to the church.  Others said we were showing disrespect to the older generation that had worked hard in the past so that the church even existed.

I have found it so sad that we have had this music war.  While I understand the desire to have worship that we feel comfortable with and really like, I question:

  • Is our worship based on the music itself rather than on praise and gratitude to God?
  • Are we unable to worship God unless it is done “our” way?
  • Is it really worship of God if we seek our own personal enjoyment?

I wrote a couple of blogs on this thought before – hope you will click on and read them also

Worship – What’s Your Style?

Worship – What’s Your Style – Part II

Recently I began reading a book “The Hymnal – A Reading History” by Christopher N Phillips.

I discovered that this war on music in the church is not a new thing.

Mr. Phillips has studied the practice of reading and using hymnals going back to the eighteenth and nineteenth centuries.  He relates that Isaac Watts created a small hymnal with only words.  These hymnals were not kept in the pews at church but rather were owned by individuals who used them not only for worship in church, but as a source of devotional reading.  They would carry their hymnals back and forth to church much like we used to do our Bibles.  Many learned to read by using the hymnals as a text book and the songs were memorized as poetry.

Up to this time the worship in churches had been to read only songs taken directly from the Psalms.  When Watts began introducing hymns (songs written about God but not taken directly from scriptures) there was controversy between those who welcomed the new hymns and those who said the church should only use psalms.

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Examining old hymnals Phillips found that family members used them to record special events and even wrote notes in them during the church service to share with one another.  In one hymnal he examined he found written notes in two different hands:

What are you laughing at?

Bumble Bee has struck an atitude (sic)

In one hymnal he found comments on the fashion and appearance of other members.

Mrs. Horatio Fisher has got a new bonnet!

Ellen Stearns looks at this distance like Mrs. Frank Cutter.

As hymns became accepted and replaced the psalms or were used with the psalms,  churches began to use hymn books as a mark of membership.  Phillips writes:

“Only the most ambitious and radical new communities made the effort to produce a new translation of the Bible, but every group seems to have shared an impulse to create its own hymn book.”

At first even the hymns were read more often than sang as there was no musical notation for the songs.  Slowly musical notation for the hymns was developed.  Only a few who were trained in music would purchase the books with the notes since printing both words and the notes was very expensive.  As some became trained in music choirs developed to sing the new hymns.  Most of the congregation still had hymn books with the words only and read along as the choir sang.

Then Henry Ward Beecher came along.  A minister at Brooklyn’s new Plymouth Church,  he wanted his congregation to sing the hymns in church.  He felt a strong need for his people to get beyond intellectual consent to the Gospel and to actually have an emotional response to the good news.  Music was a way to do this.  If he could get the music into the hands of his congregation they would sing and thus engage personally in worship awaking their emotions and heart as well as their intellect and mind.

So – began another war on music in the church.

But that story is for another post.

Questions:

  • What style of music does your church use?
  • Do you like the “contemporary” worship or long for the “good old days of hymns?”