Recognize This Beloved Song – “Faith’s Review and Expectations”

A new songbook called Olney Hymns was published in 1779 and one of the songs in the book became perhaps the best loved and well known hymn that is today known by another name.

Guess what song it is!

This song was part of a section in the hymn book that contained songs based on passages of the Bible.  The passage that was listed with this song was 1 Chronicles 17:16-17.

 “Then King David went in and sat before the Lord; and he said: “Who am I, O Lord God? And what is my house, that You have brought me this far? And yet this was a small thing in Your sight, O God; and You have also spoken of Your servant’s house for a great while to come, and have regarded me according to the rank of a man of high degree, O Lord God.”

The tune we use to sing this song was not the tune used then.  Today two of his stanzas are no longer used and there have been two added by two different writers.

Guess what song it is!

It is believed that this hymn was written to go along with the writer’s sermon which he preached for the New Year service January 1, 1773.  His sermon notes for that day fit with the scripture that was placed alongside the hymn in the Olney Humns book.

His sermon notes included this thought:

grace

Guess what song it is!

This verse which was part of the original hymn is not usually found in hymnbooks in the USA today.

Yes, when this flesh and heart shall fail
And mortal life shall cease;
I shall possess, within the veil,
A life of joy and peace.

When the movie Amazing Grace about the life of British abolitionist William Wilberforce was made, popular contemporary Christian musician Chris Tomlin was asked to write an additional verse.  He was reluctant to add to this well loved hymn but when researching he discovered that someone had already added a verse years ago.

When we’ve been there ten thousand years
Bright shining as the sun
We’ve no less days to sing His praise
Than when we first begun.

I have sung this hymn for years not knowing that this verse was not part of the original hymn.

Guess what song it is!

Tomlin added a beautiful addition to the song.

My chains are gone, I’ve been set free.
My God, my Savior has ransomed me.
And like a flood, His mercy reigns,
Unending love, amazing grace.

In his research, Tomlin found another verse that was part of the original hymn but had been left out for years in our USA hymnals.  He added it back into the song and like many others I thought this verse was one Tomlin had added.

The earth shall soon dissolve like snow,
The sun forbear to shine;
But God, who called me here below,
Will be forever mine.

Bet you have guessed what song it is!

Yes – somewhere along the way Faith’s Review and Expectations became Amazing Grace.  Writer John Newton had been the captain of a slave ship.  After receiving Jesus Christ as Savior he became an Anglican priest.  Although he was slow to take a stand against slavery he did become a strong voice speaking out about the evil of the slave trade.  His tract, ‘Thoughts upon the African Slave Trade‘, described the horrors of the slave trade and his own role in it.  He called it “a business at which my heart now shudders.” 

He encouraged William Wilberforce and others to fight against the slave trade.  As he began to lose his age and age some suggested he should retire but he told them, “I cannot stop.  What?  Shall the old African blasphemer stop while he can speak?”

The act to abolish the slave trade finally was passed in February 1807.  By that time Newton was nearly blind and nearing the end of his life.  It is said that he “rejoiced to hear the wondrous news.”

To Hymn or not to Hymn

Growing up in church we always sang hymns from a large hymn book that was placed in holders on the back of the church pew.  Many times there would also be a Bible there.  The “song leader” would announce the page number before each song and we would all turn to that page and sing from the hymn books which had both the words and the music printed for us.  (In some churches the page numbers would be listed in the bulletin or posted on a sign at the front of the church.)

Depending on the local church, the singing might be accompanied by a pipe organ, an electric organ and piano and maybe even a few guitars or drums.

hymn 2

This was how worship was supposed to be done.

Slowly over the years in the churches I attended the organ became a thing of the past and the piano was replaced by the keyboard.  A few guitars became many guitars.  Song leaders were replaced by worship teams.  Hymn books became obsolete as the words were projected on a screen from an overhead projector.  Finally, the hymns I grew up with were replaced by what we call “contemporary music.”

Gone were the days of the great song writers like Charles and John Wesley, Fanny Crosby and Isaac Watts.  This was now the time of Chris Tomlin, Michael W Smith, Amy Grant and Matthew West.

And the music war began.

On one side was the younger generation who loved the new songs and the new technology which made hymn books seem outdated.  On the other side was the older generation who treasured the songs they had grown up with and loved singing with hymn books that included the music.

Arguments went back and forth.  Some said we needed to use music that would reach the younger generation and keep them in the church, or in some cases, bring them back to the church.  Others said we were showing disrespect to the older generation that had worked hard in the past so that the church even existed.

I have found it so sad that we have had this music war.  While I understand the desire to have worship that we feel comfortable with and really like, I question:

  • Is our worship based on the music itself rather than on praise and gratitude to God?
  • Are we unable to worship God unless it is done “our” way?
  • Is it really worship of God if we seek our own personal enjoyment?

I wrote a couple of blogs on this thought before – hope you will click on and read them also

Worship – What’s Your Style?

Worship – What’s Your Style – Part II

Recently I began reading a book “The Hymnal – A Reading History” by Christopher N Phillips.

I discovered that this war on music in the church is not a new thing.

Mr. Phillips has studied the practice of reading and using hymnals going back to the eighteenth and nineteenth centuries.  He relates that Isaac Watts created a small hymnal with only words.  These hymnals were not kept in the pews at church but rather were owned by individuals who used them not only for worship in church, but as a source of devotional reading.  They would carry their hymnals back and forth to church much like we used to do our Bibles.  Many learned to read by using the hymnals as a text book and the songs were memorized as poetry.

Up to this time the worship in churches had been to read only songs taken directly from the Psalms.  When Watts began introducing hymns (songs written about God but not taken directly from scriptures) there was controversy between those who welcomed the new hymns and those who said the church should only use psalms.

watts

Examining old hymnals Phillips found that family members used them to record special events and even wrote notes in them during the church service to share with one another.  In one hymnal he examined he found written notes in two different hands:

What are you laughing at?

Bumble Bee has struck an atitude (sic)

In one hymnal he found comments on the fashion and appearance of other members.

Mrs. Horatio Fisher has got a new bonnet!

Ellen Stearns looks at this distance like Mrs. Frank Cutter.

As hymns became accepted and replaced the psalms or were used with the psalms,  churches began to use hymn books as a mark of membership.  Phillips writes:

“Only the most ambitious and radical new communities made the effort to produce a new translation of the Bible, but every group seems to have shared an impulse to create its own hymn book.”

At first even the hymns were read more often than sang as there was no musical notation for the songs.  Slowly musical notation for the hymns was developed.  Only a few who were trained in music would purchase the books with the notes since printing both words and the notes was very expensive.  As some became trained in music choirs developed to sing the new hymns.  Most of the congregation still had hymn books with the words only and read along as the choir sang.

Then Henry Ward Beecher came along.  A minister at Brooklyn’s new Plymouth Church,  he wanted his congregation to sing the hymns in church.  He felt a strong need for his people to get beyond intellectual consent to the Gospel and to actually have an emotional response to the good news.  Music was a way to do this.  If he could get the music into the hands of his congregation they would sing and thus engage personally in worship awaking their emotions and heart as well as their intellect and mind.

So – began another war on music in the church.

But that story is for another post.

Questions:

  • What style of music does your church use?
  • Do you like the “contemporary” worship or long for the “good old days of hymns?”